Woodcut Print on Paper, 15 Pieces
This series of woodcut prints delves into the intricate relationships between community, urban landscapes, and nature. Through complex line work and a palette of black, white, and green, Pasutt visually represents the tension and overlap between the natural environment and human-made structures.
These abstract compositions are rooted in the artist’s broader narrative within Somewhere Else in the World: Charoenkrung. Using the same woodcut mold from Charoenkrung Map on Plywood (2025, plywood and teak frame), Pasutt transforms the original map into layered, abstract prints that reflect the historical and cultural context of the Charoenkrung district. The intertwining lines and patterns symbolize the complexity and fragility of the interplay between urban development and nature. Black and white tones highlight the conflicts and confrontations between human progress and the natural world, while hints of green represent the persistent presence of nature amidst urban expansion.
This series invites viewers to reflect on urbanization’s impact on both the environment and local communities. Pasutt emphasizes the need for sustainable living and efficient resource use, encouraging audiences to consider the consequences of unbalanced development. Through the textured layers of these prints, viewers can sense the shifts and tensions that arise when growth disregards environmental harmony.
More than just an artistic reflection on Charoenkrung’s transformation, these woodcut prints serve as a call for dialogue—prompting conversations about finding equilibrium in urban life. They embody the core of the exhibition’s message: that sustainable, balanced living is not only possible but essential for the future.
