Exhibitions
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[Seoul, Korea] – 333Gallery/Seoul is honored to present "The Eternal Bloom: The Soul of Earth, Shades of the Inner Self", an exhibition showcasing the profound works of Thai artist Duenchayphoochana Phooprasert. Running from November 21 to December 30, this exhibition invites viewers into a meditative experience that explores the interplay of time, movement, and the intrinsic connection between humanity and nature, expressed through clay-based art.
Happiness is an integral part of our existence, shaping our thoughts, health, longevity, and access to goodness. It even influences the way we live our lives. In essence, happiness is the nourishment that sustains us every single day. However, as we gradually grow older and drift away from our youthful innocence, the happiness that once felt so close in childhood becomes the most distant thing in adulthood.
“Although great pain will never fully disappear, small happiness, when accumulated, is powerful enough to eclipse the misery.”
“When was the last time we let our emotions and feelings run free, without limits? For me, it’s when I paint, swing dance, listen to jazz, and sip a good cocktail… Moments where emotions overflow, shifting freely and evolving almost constantly.
Mood Swing was born from this desire, inspired by bringing together the activities I love—painting, swing dancing, and jazz music. These three passions have something in common: they are like moments where time pauses, letting us set our emotions free to roam. Painting lets us unleash our inner self; dancing lets the body move freely; and jazz lets emotions leap with every beat.”
This exhibition features works from artists using traditional printing presses and those who push the medium’s boundaries. The juxtaposition of these works invites the audience’s reflection on the physical actions and maneuvers in printmaking and how meanings are generated at a fundamental physical level. The title “Pres-s-ence” encapsulates three notions: pressure, separation, and presence.
As an artist who mostly lives alone and delights in writing long fictional stories and lore for hours with a small group of online friends, this exhibition showcases paintings inspired by both the real and imagined worlds of the artist.
This exhibition is a collaboration between artist duo Praiva Raiva and Phatcharaphan Raiva, which showcases the perfect blend of painting and sculpture. Phatcharaphan uses watercolors to draw on paper. Meanwhile, Praiva creates three-dimensional (3D) sculptures. Praiva’s sculptures are rich in imagination and full of life force. which was inspired by the experience of living in isolation. While Phatcharaphan’s work tells stories and conveys messages in each period of life that is constantly changing. It’s like everyone’s life. Before working with my husband on this project Phatcharaphan’s watercolors often capture the subtlety and lively movement of nature. Especially the energy from flowers. which many people overlook Although the concepts and artworks of both of them are different, But they all value similar things. That is the life force of the nature around us. in a different perspective They try to convey beauty through art based on experiences and feelings. while still maintaining the standard of beauty perfectly.
**Is it true that to be “Thai” one must strictly adhere to the characteristics defined by the Thai state?**
This question arose when I was challenged with the statement, “Your actions and attitudes are not like a Thai person’s at all.” This moment sparked the inspiration and motivation for my long-term project spanning from 2019 to 2024, titled “Decentralized Thainess – Diverse Perspectives on Thainess.”
Pongpon Preechanon (Pong), a contemporary artist residing in Bangkok, Thailand, holds a degree in Painting from Silpakorn University. His artistic journey began with an innate passion cultivated during his childhood, sparked by exposure to art through television. While formally educated, Pong’s artistic prowess predominantly stems from his self-taught exploration and dedication.
Experience the enigmatic world of Kajonsak Rungsuriyan's artistic prowess in his solo exhibition, "Thriller" This captivating showcase unveils a thrilling metamorphosis of emotions and concepts, inviting viewers to delve into the depths of imagination and interpretation.
The color blue dream = Tranquility and peace, trust, loyalty, wisdom and a sense of spiritual connection
Looking back at 2009, when asked about Ajarn Fua, my response was “I don’t know.” However, nowadays, before 2009, I can confidently say that I am a collector of Vietnamese art. In particular, I am recognized by the Vietnamese art circle as the first Thai individual to appreciate and promote the works of Vietnamese artists from the Indochina era, specifically during the years 1925 to 1945. I have dedicated a significant amount of time studying the biographies of these Vietnamese artists from that time period and have published over 5 books showcasing my collection. These books are available for purchase at the Vietnam Art Museum.
As the title implies, the exhibition explores the different insights into the word ‘body’ – both physical and architectural, as form and habitat – to illustrate the relation between the body and vernacular cultures and traditions in Indonesia. In particular, but not exclusively, the exhibition focuses on gendered bodies, bodies that are oftentimes excluded or accorded minor narratives but that are part of the same cycle of life. Situated along this line of thought is the proposition She is House, a prompt to consider the house as a site of birth and return, a ritualistic space of existence.
